In this video tutorial I dig deep into the ears and explore ear anatomy and structure to show how to draw an ear. Learn how to simplify the complex forms of the ear.
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Tag Archives: Intermediate
VIDEO – How to Draw Lips – Step by Step
October 18, 2012
Learn how to draw the lips step by step: lay-in, two value, dark accents, halftones / highlights, and details. Start with the 5 squishy little pillows of the lips and render 3-dimensional form using tone.
VIDEO – How to Draw Lips – Anatomy and Structure
October 10, 2012
In this video tutorial I show how to draw the structure of the lips and it go over some of its anatomy. We get to see the romantic side of the orbicularis oris and have fun with lipstick!
VIDEO – How to Draw a Nose – Step by Step
October 3, 2012
In this video learn to draw the nose in 5 steps: lay-in, two value, dark accents, halftones / highlights, and details. We visualize the minor and major planes of the nose and render 3-dimensional form using tone.
VIDEO – How to Draw a Nose – Anatomy and Structure
September 26, 2012
In this tutorial I cover how to draw the structure of the nose and it’s anatomy. We look at the nose in 3 groups, the bridge of the nose, ball of the nose, and wings of the nose.
VIDEO – How to Draw an Eye – Step by Step
September 19, 2012
This tutorial shows step by step, how I draw an eye.
VIDEO – How to Draw Eyes – Anatomy
September 13, 2012
In this tutorial I cover how to draw the structure of the eye and it’s anatomy.
VIDEO – How to Draw the Head from Extreme Angles – Part 4
September 6, 2012
In this tutorial I draw the head from extreme angles, which are frequently ignored by most artists. The Loomis method is a great tool to solve the difficult angles.
How to Draw Hair
March 22, 2010
Looking back at my tutorials on drawing the head, I realized that I covered individual features, but completely left out hair. This tutorial will is split into 3 parts: The Basics, Types of Hair, and a Step by Step drawing.
Painting “Noble Savage”
January 27, 2010
For this painting, I knew that the powerful value contrast was very important. I wanted to keep the colors muted (staying in the grey and brown range) and exaggerate the values. So I did a value comp in Photoshop [...]
